L’Art Caché trois – 2018

If the last two posts haven’t inspired you, perhaps you will find something here?

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Antoine Bonnet creates in wood, stone and earth. Please visit his website and learn more.  http://www.antoine-bonnet.com/

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Oana Damman is one local artist that I have had the pleasure of meeting a number of times over the years. She is inspired by the works of Van Gogh, Cézanne and Chagall. Please take a few moments and visit her website: oana-damman.com You won’t be disappointed.

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Jacques Duault graciously allowed me to photograph his work. Alas, he himself does not care to be photographed. A position I respect and share. Please visit his site: http://jacquesduault.com/

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Gerard Engels is hard at work and grateful for a small amount of shade as it is a very warm morning and the full summer heat is upon us. Alas, there is no website for monsieur Engels. He does offer an email address: gerard.engels@hotmail.com or you could direct questions about him or any of the artists by contacting the gracious hosts at Eurocultures.  https://eurocultures.fr/   You will also find a calendar for upcoming events and information should you want to be included in this event next year or any of their other projects. 

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Albas is such a charming and tranquile village. However, when they put on an exhibition or other event they do themselves proud. Before signing off today, I will share a few more photos from my wandering about. 

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Even the smallest village will have a foyer for indoor events and an outdoor space such as the one above. You don’t see it in this photo but there is a small, shed/kitchen to the left and to the right a large concrete circle often used for dancing under the stars, village feasts… 

 

There are still photos and artists to be shared. There will be one more in this series and I thank you for joining me.

 

Bisous,

Léa

L’Art Caché, deux – 2018

In part two of the “hidden” art expo here in Albas, we begin with sculpture and photos in a charming little courtyard.

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Christian Jacques: Sculpture and Pierre Jammes: Photography

Alas, there is no website for either artist. However, You can find Pierre Jammes on FaceBook and I have an email address for each if you like. chris.jacques@free.fr and pierref.jammes@gmail.com

If you would like additional information about this annual exposition or any of the artists, please visit the site of Eurocultures: https://eurocultures.fr/festival-dart/ They may be able to assist in questions regarding the artists or perhaps you would be interested in showing your own works here. 

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This tiny courtyard with his charming fence is on permanent display. If you go back four or five years ago in these posts, you may find this same village feature. Creativity is everywhere in this lovely little village and imaginations run wild, as they should.

 

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LIFE IN A SUITCASE is the theme of returning artist Anne Sarda. As  one who writes, I love how she gives me inspiration with her instillations.  Her website is user-friendly, and so much is available to spark your creativity. http://annesarda.com/

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As in the previous post, I once again apologize for the uneven subjects. As in my own home, there are few level surfaces and many rooms are not ‘squared’. Additionally, I would never presume to adjust any of the works nor even touch them. I’ve seen a few of the artists setting up and this location and others. They do their best with the surfaces as they are. Despite that, I find their works very worthwhile.

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Léo de Faucher’s work is well worth the trip, wherever it is. Unfortunately there is no available contact information and I highly recommend you direct any questions regarding the art/artist, to Eurocultures (link above). 

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I shall leave you with a few more photos of this lovely little village whose secret places are opened up to us this one weekend a year. Additionally I invite you to join us in the future.

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Alas, as there are a number of photos and more artists to go, I shall be back with part III and possibly part IV… Today is Fête Nationale here in France so I am off until next time, 

Bonne Fête Nationale et Bisous,

Léa

 

Monastère Saint-Paul-de-Mausole and The Dutchman

 

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I had been most anxious to visit this museum/hospital, for some time. When Rita said she wanted to visit the cave projection show, previous post, the plan for her most recent visit took shape. A quiet intuitive individual, I had a feeling that the walls may talk. They do whisper if one is silent and willing to hear.

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Was it wishful thinking or simply artistic license that Van Gogh applied his brushes to create a much more sumptious version of his true quarters? Patients rooms were not decorated with art work and this special guest had access to another room within the hospital for a studio and much of his work was completed on the hospital grounds. Alas, there is no access to his atelier which leads this visitor to believe there is really no trace of it or that it is in the part of the hospital that is still active as a Psychiatric Hospital. 

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Haunted with thoughts of suicide, Van Gogh chose a voluntary admission to the hospital at Saint Remy on 8 May 1889. He would stay there for a year and during this time would restle with bouts of deep depression. During his stay from May 1889-May 1890, he was most prolific in his work and produced a total of 142 pieces including Starry Night, Sunflowers, Irises, and a self-portrait that says so much about the man. If you have a favorite (that is a tough one) you can check to see if it was painted during his time at the hospital at the following site:   http://vggallery.com/painting/by_period/st_remy.htm

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The view from his window of some of the terraced gardens.

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Our visit took place in late October so instead of the stunning flowers that would appear in Spring, we had the lovely colors of autumn. Van Gogh took his inspiration from nature so saw the beauty in all that it offered. 

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Up the steps and just past the chapel, you will find the entrance to where Van Gogh’s room is. While there are other rooms here that once housed patients, those were not open. However, the salle de bains and the kitchen were housed there and I hope you find those photos as interesting as I do.

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The salle de bains (bathroom) is situated directly across the hallway from the entry door to the chambre de Van Gogh. 

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The kitchen, no longer in use, is maintained as it was during the time of Van Gogh.

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An inner courtyard that still had some blooms.

If you enjoyed this at all, I do hope you will check out the book LET ME TELL YOU ABOUT A MAN I KNEW by Susan Fletcher. She weaves a beautiful story about Van Gogh and some of the people who actually resided at the hospital at that time. 

On one side of the property we discovered an ancient site for both Greek and Roman villages. There was so much to see there, I fear that it may take more than one post to share some of its secrets. Like here, my camera just gets carried away…

Bisous,

Léa

 

Sameerah Al Bsharah: “Between light and shadows” the artist in exile – Part I

“Exile of Syria,” chiaroscuro of SAMEERAH AL BSHARAH

“BETWEEN LIGHT AND SHADOWS”

Sameerah Al Bsharah
Sameerah Al Bsharah

A short biography:
Sameerah Al Bsharah, Allama, was born on 1 January 1952 in Sweida (Syria). Graduated from the Academy of Fine Arts in Baghdad in 1977, she taught art education at the University of Damascus. Member of the Brotherhood of Syrian artists painters, Sameerah Al Bsharah has several exhibitions to her credit including the Syrian city of Latakia where she participated in the famous Biennale.

Living in Deraa, the family fled the conflict in 2012 and took refuge in Jordan, then in France in November 2014. Hosted by the Centre for Asylum Seekers Home (CADA) of Béziers, the family has obtained the status a refugee.

Sadly, I have no website or even email address to recommend to you and would suggest contacting CADA of Béziers for further information on the artist and her work.

 

Damas
Damas

 

Violence
Violence

The setting for this exhibit is Domain Langel just outside the village of Artisan. This tranquil setting surrounded by olive orchards and vineyards with honey coloured stone buildings waits to embrace the work of the artist as she translates through her paintings the torments of a country in turmoil.

While domain Langel continues their production of olive oil they also have set a goal of cultivating environmental education and cultural activities.

Veto
Veto
Des enfants de la Syrie
Des enfants de la Syrie
Upper: Transformations humaines / Lower: Des syriens a l'hopital
Upper: Transformations humaines / Lower: Des syriens  a  l’hopital

Over tea on the cold tiles of the kitchen, she carried her paintings and comments on: this is called <moustachfa> (<hospital> in Arabic) and reflects the expressions, the intermingling of bodies that may be encountered in Syrian hospitals overwhelmed by the influx of victims of war.

On another painting, three fish with sharp teeth represent that powerful attack of frightened people. Sameerah denounced the veto in the UN Security Council that would prevent international intervention and let the Syrian people defenseless. A composition black and white leaves perceive injuries, body and spirit.

L: Une mere et sa fille R: Femmes Lower: Le jeu des sectarismes
L: Une mere et sa fille R: Femmes Lower: Le jeu des sectarismes
Casque militaire
Casque militaire
Ca suffit
Ca suffit
Le bien et le mal
Le bien et le mal
Transformations humaines
Transformations humaines
Triptyque du plateau de Hauran Région de Syrie méridionale, très fertile.
Triptyque du plateau de Hauban
Région de Syrie méridionale, très fertile.

Alongside these poignant testimonies of the Syrian conflict, other paintings pay tribute to Syrian beauty: lush scenery, smiling women and tranquility.

The paintings  that Sameerah presents were dismantled from their frames before departure. Many stayed in Syria or Jordan; it was impossible to take everything into exile.

Pause
La chaise
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Pause
La fin de Pharaon
La fin de Pharaon
Une femme et un miroir
Une femme et un miroir

Due to factors beyond my control, the photos I offer are poor representatives of the work on offer. There is much more to add and therefore, this will serve as part one of an amazing exposition.

PLEASE DO NOT FORGET TO CLICK ON THE PHOTOS FOR A BETTER VIEW.

Bisous,

Léa

 

Homme de la Renaissance

Patric and friends
Patric and friends at Bio Marche

Homme de la Renaissance or The Renaissance Man. We hear of him but often there doesn’t seem to be much convincing evidence of his existence in the 21st Century. Yet there is such a man who walks among us here in the south of France. I am privileged  to know one and fortunate enough to witness some of his many talents on a regular basis. Patric was born in Lyon and moved to this area in 1975.  He has two sons and two daughters with 7 grandchildren and one on the way. He lives in a nearby village in an Eco home which he designed and built on his own. He is a vegetarian and grows much of his own food. Just who is this man? Is he a musician? A writer? An artist? Yes! He is all of these and so much more. It was my first year in France when I met Patric. For insurance purposes you must obtain a certificate from a chimney sweep, each year, that your fireplace has been cleaned and is safe to operate. I asked around and the number I was given was for Patric. He swept chimneys for 32 years and just retired two years ago.

Patric at work
Left by Arlette Mouton et Patric – Right by Shemon Ben Youssef

Music: Patric can play any instrument that he comes in contact with. He also teaches music. Art: Patric studied at Ecole Boulle in Paris. Among his many talents, he is an accomplished wood craftsman, glassblower, painter,  and photographer. He enjoys drawing with pen & ink. Patric has worked as a Wood crafter for eight years, at Masonry for five years while still making himself available for his other passions. His love of nature has motivated him to combine sketches and photographs with his writings into a book about edible plants. Perhaps if there is sufficient interest, I shall post further on the book when it is released. Patric loves to travel and related a story of when he was 17 years old how he rode a bicycle with a small motor all the way to Morocco. He has seven cats and his nickname is Patou which is a big shaggy dog found in the Pyrenees. The paintings were done by various artists with the exception of the self-portrait with the clock. Patric has had postcards made from them and uses those as his business cards. While the supply is dwindling, he quickly brought me all the ones I did not have after I saw him in Albas recently. Please do click on the photos so that you can see them better. When I saw Patric last week, I asked him if I could do a post and have him give me some information. For all his accomplishments, he is a modest man. Had it not been for his partner, I would not have had half the details you see here. She was generous and most patient to spend the time with me to uncover some of Patric’s many gifts. Bisous, Léa

Patric
Patric at Bio Marche
Patric with fellow musician at Albas
Patric with fellow musician at Albas
Drawing by Violette Vincent/ Painting by Sabine Delrieu
Drawing by Violette Vincent/ Painting by Sabine Delrieu
Left by Shemon Ben Youssef / Right by Brian de Carvailho
Left by Shemon Ben Youssef / Right by Brian de Carvailho
Patric - A self-portrait
Patric – A self-portrait

 

 

Albas 2012
Patric and friends in Albas 2012

L’ART CACHÉ PART III

In the past, a three post series has been made to share the art from this excellent annual exposition of hidden art. I do not see how I can possibly limit myself that harshly this year and so I hope that some of you will bear with me. One thing for sure, you never know where in Albas you will turn a corner and find some art you will never forget. It will inspire you, and get those creative juices flowing.

Claude Espada is a local artist and lives in a most charming village on the edge of the Mediterranean. I’ve no doubt that is where much of her inspiration lies… You can contact her at padou1946@gmail.com or search for her on Facebook. Alas, I am not on Facebook so I cannot provide the link.

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Geneviève Gourvil

For additional information on mme. Gourvil, please see her website. While it is in French, a click of a button will translate it for you. http://gourvilgenevieve.com/

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Daniel Cordonnier takes his photograpy to some fascinating levels. His mission, to make the invisible, visible. Please check out Daniel’s website for much more art and information: http://www.danielcordonnier.com  You can also find him on Facebook.

 

 

 

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This is the third post in this series. For me it is a delight to return to the charming little village of Albas for this expo each year. I do hope to attend both days next year as there is never enough time to really appreciate it all and a chance to meet the artist. I never photograph without the artist’s permission and they must be available for that. Please do visit the Eurocultures site as there is more than I can possibly accommodate here. There are a number of photos left from the exposition and I shall endeavor to create one more post in this series. 

For additional information, to communicate with the sponsors of this and many other events, please contact Eurocultures en Corbières: https://eurocultures.fr/ or  https://www.facebook.com/eurocultures/

Bisous,

Léa

 

 

 

L’art caché I – 2017

The lovely village of Albas (population: 77) once again invites us to indulge ourselves in an enchanted exposition of Art. This is the fifth year that I have had this wonderful opportunity and each year I look forward to the coming event.  A number of the artists exhibiting are not local. One that I spoke to came from Brittany. Yet the generous locals make their gardens, barns and other such areas available for the exhibits.  The name of the event, translated, is Hidden Art and it could not be more appropriate. Upon arrival you are given a map of the village and numbers on different sites which correspond with the names of artists at the bottom of the page. However, unless you have been here at least once or twice there is no telling the wonderful surprises that await you. Also there are always different participants. 

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Bienvenue!

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To the left of the above sign is a small door into a barn and our first exhibit of this expo. The artist, Michel Alquier. 

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Les deux femmes
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Michel Alquier

Please visit Michel on his website michelalquier.free.fr it is in French but translates easily. You can email him at michelalquier@free.fr and I have no doubt he would love to hear from you.

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Bertrand Claverie

As I am often early for most things, especially this expo, there is a good chance of catching some of the artists still at work setting up. That is the case here with monsieur Claverie. You can see more of his work at bertrandclaverie.com or write to him at claverie.bertrand@wanadoo.fr 

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One does work up a thirst at such events and provisions had been made. Each year I have attended a different person has opened up a small area adjacent to their home for the serving of coffee and pastry. 

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The pastry on offer this year were German Fruit Crumbles. I did observe a few to be devoured so early in the day. The small garden was lovely and perhaps a photo will help you decide? 

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There is always so much to see so there is little time to loiter over coffee. One of the things that took me by surprise the first time I attended this Expo was the level and quality of whimsical art.  We are now in the space occupied by Edith Brehaux and what a delight it is. Please check out her website: https://terrarigaud.jimdo.com  You will find that it translates to English at the click of a button. You can write to her directly at brehauxedith@orange.frDSCN3659

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When possible, I have included the artist in my photos. Alas, there is so much to choose from… I do hope you will take that step and look at the websites of those you enjoy the most and perhaps others as well? 

I shall begin working on Part II as we have only begun. I do hope you will join me for the rest of this series and perhaps beyond?

Bisous,

Léa