Camp Joffre

 “The world as we have created it is a process of our thinking. It cannot be changed without changing our thinking.” – Albert Einstein

La belle France. Yet even the most beautiful of gardens have both thorns and weeds. The group Eurocultures invited me to visit Camp Rivesaltes otherwise known as Camp Joffre where we would visit a memorial to some of its darker past. A very short distance from the beautiful waters of the Mediterranean and just the other side of the tracks lies the remnants of a concentration camp.

For nearly eight years I have tried to share with you some of the beauty in my chosen home. However, this scar must not be glossed over nor forgotten.

 

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Dedication of museum by Manuel Valls 2015
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Inside the new museum

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Reisepass

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La Fuente Family

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A starving child 1941
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Tools

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Belongings confiscated along with hopes and dreams…

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Testimony to man’s inhumanity to man.

Though the walls are crumbling and little remains of the buildings, many artifacts are carefully preserved in the new climate protected museum.

Rivesaltes Internment Camp – Camp Joffre opened in 1938 and was not to close its doors until 1970. This beautiful Country has had much pain, cruelty, and suffering inflicted on it and its people. Many of those coming through this camp did not originate in France but may have spent their final days here. With the rise of fascism rampant in numerous parts of the world, I felt it imperative to reblog this post.

 

Bisous,

Lea

 

11.11.11.1918 – One Century Later

With neighbors and friends, we stood at the War Monument in our small village deep in the south of France and we remembered. Though not born here, I could remember the grandfather I met and the one I didn’t have the opportunity to meet. Peace
Thank you Afzal my friend.

Monastère Saint-Paul-de-Mausole and The Dutchman

 

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I had been most anxious to visit this museum/hospital, for some time. When Rita said she wanted to visit the cave projection show, previous post, the plan for her most recent visit took shape. A quiet intuitive individual, I had a feeling that the walls may talk. They do whisper if one is silent and willing to hear.

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Was it wishful thinking or simply artistic license that Van Gogh applied his brushes to create a much more sumptious version of his true quarters? Patients rooms were not decorated with art work and this special guest had access to another room within the hospital for a studio and much of his work was completed on the hospital grounds. Alas, there is no access to his atelier which leads this visitor to believe there is really no trace of it or that it is in the part of the hospital that is still active as a Psychiatric Hospital. 

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Haunted with thoughts of suicide, Van Gogh chose a voluntary admission to the hospital at Saint Remy on 8 May 1889. He would stay there for a year and during this time would restle with bouts of deep depression. During his stay from May 1889-May 1890, he was most prolific in his work and produced a total of 142 pieces including Starry Night, Sunflowers, Irises, and a self-portrait that says so much about the man. If you have a favorite (that is a tough one) you can check to see if it was painted during his time at the hospital at the following site:   http://vggallery.com/painting/by_period/st_remy.htm

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The view from his window of some of the terraced gardens.

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Our visit took place in late October so instead of the stunning flowers that would appear in Spring, we had the lovely colors of autumn. Van Gogh took his inspiration from nature so saw the beauty in all that it offered. 

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Up the steps and just past the chapel, you will find the entrance to where Van Gogh’s room is. While there are other rooms here that once housed patients, those were not open. However, the salle de bains and the kitchen were housed there and I hope you find those photos as interesting as I do.

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The salle de bains (bathroom) is situated directly across the hallway from the entry door to the chambre de Van Gogh. 

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The kitchen, no longer in use, is maintained as it was during the time of Van Gogh.

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An inner courtyard that still had some blooms.

If you enjoyed this at all, I do hope you will check out the book LET ME TELL YOU ABOUT A MAN I KNEW by Susan Fletcher. She weaves a beautiful story about Van Gogh and some of the people who actually resided at the hospital at that time. 

On one side of the property we discovered an ancient site for both Greek and Roman villages. There was so much to see there, I fear that it may take more than one post to share some of its secrets. Like here, my camera just gets carried away…

Bisous,

Léa

 

SAMEERAH AL BSHARAH: “Between Light and Shadows” Part II

Like part one, this was originally posted in 2015. However, I felt it well worth the repeat and there will be a few other, older, repeats in the next few weeks. A dear friend arrives from California on Thursday and I believe there will be some travel involved which should result in some interesting posts around mid November. Thanks for your continued support.

 

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Mort de l’accouchement

 

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Transformations humaines
The artist (R) and her daughter (L)
The artist (R) and her daughter (L)
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Even the children are interested in the artist and her work

 

Olive grove where we parked
Olive grove where we parked
Entrance to the gallery/Tasting room
Entrance to the gallery/Tasting room

 

Vineyards surrounding the olive groves
Vineyards surrounding the olive groves
Back on the road and heading home
Back on the road and heading home

 

Bisous,

Léa

Sameerah Al Bsharah: “Between light and shadows” the artist in exile – Part I

“Exile of Syria,” chiaroscuro of SAMEERAH AL BSHARAH

“BETWEEN LIGHT AND SHADOWS”

Sameerah Al Bsharah
Sameerah Al Bsharah

A short biography:
Sameerah Al Bsharah, Allama, was born on 1 January 1952 in Sweida (Syria). Graduated from the Academy of Fine Arts in Baghdad in 1977, she taught art education at the University of Damascus. Member of the Brotherhood of Syrian artists painters, Sameerah Al Bsharah has several exhibitions to her credit including the Syrian city of Latakia where she participated in the famous Biennale.

Living in Deraa, the family fled the conflict in 2012 and took refuge in Jordan, then in France in November 2014. Hosted by the Centre for Asylum Seekers Home (CADA) of Béziers, the family has obtained the status a refugee.

Sadly, I have no website or even email address to recommend to you and would suggest contacting CADA of Béziers for further information on the artist and her work.

 

Damas
Damas

 

Violence
Violence

The setting for this exhibit is Domain Langel just outside the village of Artisan. This tranquil setting surrounded by olive orchards and vineyards with honey coloured stone buildings waits to embrace the work of the artist as she translates through her paintings the torments of a country in turmoil.

While domain Langel continues their production of olive oil they also have set a goal of cultivating environmental education and cultural activities.

Veto
Veto
Des enfants de la Syrie
Des enfants de la Syrie
Upper: Transformations humaines / Lower: Des syriens a l'hopital
Upper: Transformations humaines / Lower: Des syriens  a  l’hopital

Over tea on the cold tiles of the kitchen, she carried her paintings and comments on: this is called <moustachfa> (<hospital> in Arabic) and reflects the expressions, the intermingling of bodies that may be encountered in Syrian hospitals overwhelmed by the influx of victims of war.

On another painting, three fish with sharp teeth represent that powerful attack of frightened people. Sameerah denounced the veto in the UN Security Council that would prevent international intervention and let the Syrian people defenseless. A composition black and white leaves perceive injuries, body and spirit.

L: Une mere et sa fille R: Femmes Lower: Le jeu des sectarismes
L: Une mere et sa fille R: Femmes Lower: Le jeu des sectarismes
Casque militaire
Casque militaire
Ca suffit
Ca suffit
Le bien et le mal
Le bien et le mal
Transformations humaines
Transformations humaines
Triptyque du plateau de Hauran Région de Syrie méridionale, très fertile.
Triptyque du plateau de Hauban
Région de Syrie méridionale, très fertile.

Alongside these poignant testimonies of the Syrian conflict, other paintings pay tribute to Syrian beauty: lush scenery, smiling women and tranquility.

The paintings  that Sameerah presents were dismantled from their frames before departure. Many stayed in Syria or Jordan; it was impossible to take everything into exile.

Pause
La chaise
Pause
Pause
La fin de Pharaon
La fin de Pharaon
Une femme et un miroir
Une femme et un miroir

Due to factors beyond my control, the photos I offer are poor representatives of the work on offer. There is much more to add and therefore, this will serve as part one of an amazing exposition.

PLEASE DO NOT FORGET TO CLICK ON THE PHOTOS FOR A BETTER VIEW.

Bisous,

Léa

 

Join Cindy in Alsace!

are two typical Alsatian towns. The architecture, is fairytale, meets living history, with the added benefit of French dessert! There are little towns like these scattered all over Alsace, exploring, (note Jupiter near clock tower) and eating, here is a delightful way to spend your days! Cheers to you from beautiful Alsace~

via Ribeauville

Camp Joffre: “The world as we have created it is a process of our thinking. It cannot be changed without changing our thinking.” – Albert Einstein

La belle France. Yet even the most beautiful of gardens has both thorns and weeds. The group Eurocultures invited me to visit Camp Rivesaltes otherwise known as Camp Joffre where we would visit a memorial to some of its darker past. A very short distance from the beautiful waters of the Mediterranean, and just the other side of the tracks, lies the remnants of a concentration camp.

For over five years I have tried to share with you some of the beauty in my chosen home. However, this scar must not be glossed over nor forgotten.

 

fullsizeoutput_456cfullsizeoutput_456e

dscn3354

dscn3358
Dedication of museum by Manuel Valls 2015
dscn3361.jpg
Inside the new museum

DSCN3367

DSCN3375
Reisepass

DSCN3377

DSCN3380
La Fuente Family

DSCN3382

DSCN3385

DSCN3387

DSCN3392

DSCN3394

DSCN3397
A starving child 1941
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Tools?

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DSCN3404

DSCN3405
Belongs confiscated along with hopes and dreams…

DSCN3409

Testimony to man’s inhumanity to man.

Though the walls are crumbling and little remains of the buildings, many artifacts are carefully preserved in the new climate protected museum.

Rivesaltes Internment Camp – Camp Joffre opened in 1938 and was not to close its doors until 1970. For nearly five years, I have shared with you the beauty, serenity and the joy of La belle France. Yet this beautiful Country has had much pain, cruelty and suffering inflicted on it and its people. Many of those coming through this camp did not originate in France but may have spent their final days here.

 

Bisous,

Lea