– Last weekend, possibly the final weekend of glorious sunshine for another year, we went to Strasbourg, the final birthday celebration, a city that is fully French, was once German for almost 50 years and is now filled with pretzels, flammenkueche, and all around adorability… And good cocktails! What? I’m Irish!!! Seriously, I wanted to […]
Albi is small and relatively off-the-touristy radar town on the Tarn River in southern France, conveniently located about an hour northeast from Toulouse. Despite its size, Albi is incredibly rich in history and charm. 41 more words
The beautiful village of Les Baux-de-Provence is a sparkling jewel yet small. One must visit and explore, inhale and touch with inquisitive hand, eyes and an open mind. With such exploration, her riches are exposed.
During my friend’s visit, Rita, we headed to Provence for a few days. Besides strolling about Saint Remy we each had a #1 must see and Carrières de Lumières was hers. My #1 will be revealed on a future post but this exhibit quickly had me under its spell.
Step into the cave and be transported deep into the 16th century. Let yourself go and be awakened to the visions of BOSCH, BRUEGHEL and ARCIMBOLDO. This is total immersion from the ceiling of the cave down to the very ground you walk on. Walk about freely, stop and look closely or sit yourself down on one of the stone benches available on the caves outer walls.
There isn’t a cultural event, landmark, museum or other National Treasure, where I have not encountered groups of school children on a field trip. They are accompanied by a their teachers, are well mannered, respectful and it is such a delight to witness their awakening and appreciation.
Perhaps this photo can give you a small idea of just how vast the cave is. Unfortunately, you are seeing only one small area. The projections seem to dance across the ceiling, walls and even the floor of the cave. 100 projectors syncronised precisely with the sound system provide a seemless experience. I had little idea of what I would encounter but trusted that Rita knew we would both love it. As ususal, she was right and I was stunned. The show itself is not long in duration. Yet after wandering around through several showings, I found myself mesmerized and frozen on one of the benches. If I have the good fortune to return to a future show, I hope I shall be better prepared camera wise. What you will see here is from my little smartphone camera as my trusty old point and shoot had run out of batteries. Furthermore, I am unaccustomed to trying to capture stills of a moving target in near absolute darkness. I do hope it gives you of an idea of what a magnificent exhibit it is and perhaps schedule some time to view one of the coming shows. Alas, this particular show ended on 7 January, 2018. The next show began in March and the featured artist, PICASSO.
If you should plan to visit Provence, this is one of the many delights that await you.
“Surrealism is destructive, but it destroys only what it considers to be hinderances limiting our vision.” Salvador Dali
KAMIL VOJNAR: LIFE IS A JOURNEY
As my dear friend Rita and I strolled the winding streets of Saint-Remy-de-Provence in the late October sunshine trying not to miss anything we were rewarded with the small Provence gallery/atelier of Kamil Vojnar.
The artist was born during the Cold War, 1962, in Moravia, Czechoslovakia. He studied at the School of Graphic Arts in Prague after completion of his military service (tank commander) and later The Philadelphia Art Institute and The Art Student’s League of New York.
Alas, if I had more skill in the art of photography and perhaps a more than an old point and shoot camera, I could have done justice to his work. Regardless, my purpose here is to introduce as many as possible to Vojnar’s remarkable vision. To see it up close and personal is to really comprehend its magic. His images reach out to the viewer, enfold them and infuse their message. This was one of those times that I wished I could run everyone out of the atelier, lock the door and be alone with the work that mesmerized me and leaving me to write their secrets behind shuttered doors.
It is my hope that you will search out where you can view some of his works nearest you. They are most certainly worth both time and travel to do so. To see the artist and learn more about him and his work, I recommend the following link replete with video. https://vimeo.com/90886154 please give it a glance.
Like part one, this was originally posted in 2015. However, I felt it well worth the repeat and there will be a few other, older, repeats in the next few weeks. A dear friend arrives from California on Thursday and I believe there will be some travel involved which should result in some interesting posts around mid November. Thanks for your continued support.
“Exile of Syria,” chiaroscuro of SAMEERAH AL BSHARAH
“BETWEEN LIGHT AND SHADOWS”
A short biography:
Sameerah Al Bsharah, Allama, was born on 1 January 1952 in Sweida (Syria). Graduated from the Academy of Fine Arts in Baghdad in 1977, she taught art education at the University of Damascus. Member of the Brotherhood of Syrian artists painters, Sameerah Al Bsharah has several exhibitions to her credit including the Syrian city of Latakia where she participated in the famous Biennale.
Living in Deraa, the family fled the conflict in 2012 and took refuge in Jordan, then in France in November 2014. Hosted by the Centre for Asylum Seekers Home (CADA) of Béziers, the family has obtained the status a refugee.
Sadly, I have no website or even email address to recommend to you and would suggest contacting CADA of Béziers for further information on the artist and her work.
The setting for this exhibit is Domain Langel just outside the village of Artisan. This tranquil setting surrounded by olive orchards and vineyards with honey coloured stone buildings waits to embrace the work of the artist as she translates through her paintings the torments of a country in turmoil.
While domain Langel continues their production of olive oil they also have set a goal of cultivating environmental education and cultural activities.
Over tea on the cold tiles of the kitchen, she carried her paintings and comments on: this is called <moustachfa> (<hospital> in Arabic) and reflects the expressions, the intermingling of bodies that may be encountered in Syrian hospitals overwhelmed by the influx of victims of war.
On another painting, three fish with sharp teeth represent that powerful attack of frightened people. Sameerah denounced the veto in the UN Security Council that would prevent international intervention and let the Syrian people defenseless. A composition black and white leaves perceive injuries, body and spirit.
Alongside these poignant testimonies of the Syrian conflict, other paintings pay tribute to Syrian beauty: lush scenery, smiling women and tranquility.
The paintings that Sameerah presents were dismantled from their frames before departure. Many stayed in Syria or Jordan; it was impossible to take everything into exile.
Due to factors beyond my control, the photos I offer are poor representatives of the work on offer. There is much more to add and therefore, this will serve as part one of an amazing exposition.
PLEASE DO NOT FORGET TO CLICK ON THE PHOTOS FOR A BETTER VIEW.