Once again, L’Art Caché has invited so many talented artists that I couldn’t possibly cram them all into one or even two posts this year. The first artist I present to you is one who exhibited here the second year I posted on L’Art Caché. Zarno takes recycling to a new level and any old television, computer or even small plastic cubes are frames for his creativity. Zarno is on Facebook , Zarno Patamodeleur, (I am not) you can also contact him by email at firstname.lastname@example.org
Claude Roux, I must track down her atelier and see if a visit is possible. Perhaps there are others of you out there that would like to see more of her work. I am finding more and more artists that I want to see their studio or an exhibit of a larger body of their work. She is one of them. If you like what you see, drop by her website and leave a comment. You don’t need to be fluent in French or indeed any French to do so. clauderoux-sculptures.com
You will soon find that Marcel Deltelle has captured me. Okay, so perhaps I’ve gone a bit over the top posting more of his photos than I usually do. He captures me and leads me down an enchanted path to a world I was previously unacquainted with. You can be sure I will keep my eyes open for an exhibit of his or even better, access to his atelier! I know at least a few of you out there that this will really speak to. Please stop by his website to see some of what other magic awaits: http://marceldeltell.wixsite.com/cdml leave a comment. You can reach him also by email at email@example.com
It is my hope that you find something here that speaks to you, makes you smile or inspires your own creativity. If so, I am thrilled. If an artist interests you, most of them in the three post series have websites or are part of Eurocultures and can easily be located for new works and exhibitions. Please stop by the Eurocultures website as they sponsor this exhibit and many more throughout the year.euroculturesencorbieres
As promised, we return to the remote French village of Albas for our L’Art Caché or Hidden Art. For those who appreciate a bit of whimsey, we have it. For those who like elegant Japanese pen and ink drawings, we have it. I truly believe that this Exhibition has something for everyone.
See much more of Marion’s enchanting characters and other work, check out her website mariondelafontaine.fr
Please check out Elysabeth’s other work on her website. I know she will welcome your inquiries. Visit her at beclierelysabeth.fr or email her directly at firstname.lastname@example.org
Check out the website for his contact information. http://www.artistesasuivre.org/2012/matsumara.htm
René’s website is filled with plasticienne sculptures and his paintings. You don’t want to miss them or the video of his work. After looking at his site, I shall anxiously await his next gallery show! rene-herpe.fr and for direct emails email@example.com
Look in on Tiffany’s website for additional information and many works for your perusal. Check out her vast portfolio at vailier.fr
It is my hope that you have enjoyed our visit to this charming village and the work of all the artists. However, I find myself with at least enough photos of artists you have yet to see for an additional post. Please check back for L’ART CACHÉ PART III.
Once again the small village of Albas hosts its annual L’Art Caché or Hidden Art. I’ve been attending for four years now and bring back photos to share with you. This is my favourite of the local art exhibits and I look forward to it long before it comes. I do hope that you find something that appeals to you among what I have here. I include the artists names, email address and/or website as available. Do yourself a favour and stop by the different artists and see what is on their sites. They have so much more to offer than what is represented here. The exhibition is brought to you by EUROCULTURE and it is one of the many events they stage and support all year.
You can reach Marie by email at firstname.lastname@example.org or visit her website at marieheleneroger.com.
For those of you who have not see the previous years of this exhibit, let me just say that the reason it is called L’Art Caché or Hidden Art is because the work and the artists are set up all about the village in private courtyards, barns, vacant houses and it changes each year. Marie, above, has her work installed in the little stone bus shelter.
“Pure and simple volumes, emancipated forms. A sculpture that reveals all sides, changing, both stable and moving. A sculpture that is touched, caressed.” – Jacques Duault
Jacques keeps the lines simple, natural so that the marble can speak. I don’t know about you but I’ve never seen marble such as the one just above.
Please stop by Jacques website: jacquesduault.com or email him at email@example.com.
From 1881 to the Present, Anne has created her sculptures to represent achievements for women to cover the late 19th century, the 20th century and on to today. Please stop by Anne’s website at annesarda.com. There you can also find links to her nature work, photography and works with wood.
Please stop by Marie-Hélène’s website and see what she has in store for you at: peinture.cacanague.fr
While I had planned more photos for this post. For some reason WP is not letting me download more photos. However, there are many more and various artists that I am still anxious to share. I do hope you will return for Part II of this delightful exhibition. Also feel free to stop by the website for Eurocultures who are responsible for bringing us this work. Visit eurocultures.fr
As promised, there is more to be seen from the exhibit in Cailhau. I shall provide links to the artists when possible and otherwise refer you to the Artist’s Collective website.artcailhau.blogspot.com and for those of you on Facebook, here is their link: facebook.com/cailhauartistes
This first photo is one of a few that are at Atelier galerie Al Trial which is where we left off in Part 1.
Tsk, tsk, I cannot imagine a studio of my own being so organized! I do happen to have a number of friends who are artists and shall we say that I would not be alone…
As we move from Atelier to Atelier we do so in a group. Now we move on to Atelier Du Verrier were we can see the Bijoux (jewellery) and Objet d’art by Matthew Millar.
Matthew can answer your questions via email at firstname.lastname@example.org
It took me a moment to notice the bicycle up against the old house in the work above. I do believe it is the piece I like the most among his work.
Our next stop is Atelier boutique L’Ecurie de Pépé. Christine welcomes us into her space which is vibrant and warm. You can contact Christine at email@example.com
Our next and final stop for this post will be Maison A.
The Song of the Shirt was written by Thomas Hood in 1843 to honour a widow who sewed to feed her young children. If you want to know more of the story, check out the following link. https://en.wikipedia.org/wiki/The_Song_of_the_Shirt
In the above photo you can find the poem interspersed with photos of early 20th century women in sweat shops making shirts. The first verse of the poem is here for you.
Song of the Shirt
With fingers weary and worn, With eyelids heavy and red, A woman sat in unwomanly rags, Plying her needle and thread— Stitch! stitch! stitch! In poverty, hunger, and dirt, And still with a voice of dolorous pitch She sang the “Song of the Shirt.”
“Work! work! work! While the cock is crowing aloof! And work—work—work, Till the stars shine through the roof! It’s O! to be a slave Along with the barbarous Turk, Where woman has never a soul to save, If this is Christian work!
“Work—work—work, Till the brain begins to swim; Work—work—work,
Please forgive the quality of these photos. I do not have others of these last two photographs but did want to show this piece.
While the birds themselves were creative, if you look closely in the above photo you will find the small man. With the appearance of someone on back of the bird soaring higher I was swept away by this evocative piece. I also use this piece to close the series from Cailhau. I’ve no doubt we shall return.
Over eight years ago when I was in my early days of the hunt for a house to call home, I briefly visited the village of Cailhau. The house I had been taken to see required more work than I was looking to do but the village seemed to have much to be proud of. However, I should have explored more as there are treasures to behold. The artist community is thriving there and I have finally made it to one of their events. I may have to return soon.
I followed the path and found the first gallery of my journey. “La Bohème”, While I managed to snap a few photos, it was lunchtime and being France, it was closing until late afternoon. Happily I have a few pieces to show from here. There is much more information available on the artists collective if you visit their blog, artcailhau.blogspot.com or if you are on Facebook you can visit at facebook.com/cailhauartistes
Artists of Cailhau carry on in the illustrious footsteps of a great artist who lived in the village and whose family still do. The group of artists that reside there are continuing the path of the earliest well known artist from Cailhau. Archille Laugé (1861-1944) moved to Cailhau in his youth with his parents. Despite his father’s wishes that he study Pharmacy in Toulouse in 1878, he followed his heart enrolling at the Beaux-Arts where he met the artist Bourdelle. At Beaux-Arts he came in contact with artists Alexandre Cabanal (1823-1889), Jean-Paul Laurens (1838-1921), and Aristide Maillot (1861-1944) and the two were to become lifelong friends. He made his debut at the Paris Salon in 1884 with a depiction of his friend Bourdelle.
Four years later, he left Paris and returned to Cailhau. He made many friends among the locals. During his time in Paris he adopted the divisionist touch of the Neo-Impressionists under the influence of Georges Seurat (1859-1891), he also had a high regard for the works of both Camille Pissarro (1830-1903) and Paul Signac (1863-1935).
Laugé’s paintings and compositions reflect the harsh sunlight so prevalent in the south. Like a number of his contemporaries whose work followed a similar vein, Henri-Edmond Cross ( 1856-1910), Henri Martin (1860-1943) he too was drawn further south continuing to work in and around the area of Collioure. Collioure, the beachside village that charmed Picasso, van Gogh, Cézanne and many more continues to inspire artists and is a must if you are in the south of France.
In 1894 three of his paintings were exhibited at the Salon des Independants, additionally, a number of works at an exhibition which included Pierre Bonnard (1867-1947), Paul Sérusier (1863-1927), Henri de Toulouse -Lautrec (1864-1901) and Edouard Vuillard (1868-1940) in Toulouse. There is much more about the artist available online. Today his great-granddaughter continues to live in Cailhau.
Christine’s creations are available at her Atelier/Boutique located in the centre of the village or you can email her directly at firstname.lastname@example.org Additionally there is the Art Collective site as listed in the beginning of this post.
Bijoux by Matthew/Objet d’art by Matthew
These pieces were on display at the foyer. However, we shall get to his private gallery but most likely in a later post.
More of Anne’s work can be viewed on her site or by visiting Atelier Al Trial.
While Jürgen Engels passed on in January, his wife has graciously made their garden and some of Jürgen’s work available for us to see. While some of his work is still for sale, I did not find contact information. If you are interested I would contact the collective site or one of the other artists.
There is more to see and inspire at Atelier Al Trial in a future post.
Unfortunately, not all artists had contact information available and I was referred to the collective site. I have been on the site a few times trying to identify some of the work. Alas some of the individual sites are temporarily down. Hopefully that will soon be rectified.
In my experience, these art exhibits have something for everyone. I do hope you found something that appealed to you or perhaps some inspiration?
My sincere apologies for the gap between the first post from this exhibit and now. The computer and internet issues have been great and replacing the computer is not an option at this time. If you missed the first part it was posted on 15/08/2015. For those who missed part I or would like to refresh your memory here is the link: https://foundinfrance.wordpress.com/2015/08/17/sameerah-al-bsharah-between-light-and-shadows-the-artist-in-exile-part-i/However there were a few photos that I did want to include not to mention showing you the beautiful landscape surrounding the gallery. Therefore, despite the delay, I have chosen to offer this post.
“Exile of Syria,” chiaroscuro of SAMEERAH AL BSHARAH
“BETWEEN LIGHT AND SHADOWS”
A short biography:
Sameerah Al Bsharah, Allama wife, was born on 1 January 1952 in Sweida (Syria). Graduated from the Academy of Fine Arts in Baghdad in 1977, she taught art education at the University of Damascus. Member of the Brotherhood of Syrian artists painters, Sameerah Al Bsharah has several exhibitions to her credit including the Syrian city of Latakia where she participated in the famous Biennale.
Living in Deraa, the family fled the conflict in 2012 and took refuge in Jordan, then in France in November 2014. Hosted by the Centre for Asylum Seekers Home (CADA) of Béziers, the family has obtained the status a refugee.
Sadly, I have no website or even email address to recommend to you and would suggest contacting CADA of Béziers for further information on the artist and her work.
The setting for this exhibit is Domain Langel just outside the village of Artisan. This tranquil setting surrounded by olive orchards and vineyards with honey coloured stone buildings waits to embrace the work of the artist as she translates through her paintings the torments of a country in turmoil.
While domain Langel continues their production of olive oil they also have set a goal of cultivating environmental education and cultural activities.
Over tea on the cold tiles of the kitchen, she carried her paintings and comments on: this is called <moustachfa> (<hospital> in Arabic) and reflects the expressions, the intermingling of bodies that may be encountered in Syrian hospitals overwhelmed by the influx of victims of war.
On another painting, three fish with sharp teeth represent powerful that attack frightened people. Sameerah denounced the veto in the UN Security Council that would prevent international intervention and let the Syrian people defenseless. A compostion black and white leaves perceive injuries, body and spirit.
Alongside these poignant testimonies of the Syrian conflict, other paintings pay tribute to Syrian beauty: lush scenery, smiling women and tranquility.
The paintings that Sameerah presents were dismantled from their frames before departure. Many stayed in Syria or Jordan; it was impossible to take everything into exile.
Due to factors beyond my control, the photos I offer are poor representatives of the work on offer. There is much more to add and therefore, this will serve as part one of an amazing exposition.
PLEASE DO NOT FORGET TO CLICK ON THE PHOTOS FOR A BETTER VIEW.
My meanderings about politics, space exploration, cars, cats, tech things and whatever else strikes my fancy. To the current occupant of the White House, we will not be taken into war on anyone's leash.