Antonio Machado 1875 – 1939

“My soul is not asleep. It is awake, wide awake. It neither sleeps nor dreams, but watches, its eyes wide open, far off things, and listens at the shores of the great silence.” – Antonio Machado

“Travelers, there is no path. Paths are made by walking.” – Antonio Machado

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While visiting Collioure, a strikingly beautiful beach village, several years ago with a friend, we ventured into the cemetery. On that first visit, I became quite curious as there were a large crowd of people surrounding one of the graves. The group stayed for quite some time and it seemed that it was a pilgrimage. After they moved on, I was able to take a look and unfortunately nothing more having my camera out of commission at the time. When my friend returned to France this time and suggested a visit to Collioure, I checked out my camera and prepared for capturing these photos. 

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While this group of four is a much smaller gathering than what I witnessed the last time I was here, there seems to be a steady stream of those coming to honor the great poet. It would have been lovely to have a closer shot but I did not want to intrude.

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As you can see, to the right of the headstone is a mailbox for those who want to leave a message. Those tiny white stones which appear to be scattered are actually placed as remembrances from those who come to pay their respects. Most have messages on them. Some simply have a date or initials. If you look back at the first photo in this post you can see some of those stones more clearly.

THE WIND, ONE BRILLIANT DAY

 “The wind, one brilliant day, called                                                                                                to my soul with the odor of jasmine.

‘In return for the odor of my jasmine                                                                                                 I’d like the odor of all your roses.’

‘I have no roses; all the flowers                                                                                                           in my garden are dead.’

‘Well then, I’ll take the withered petals and the yellow leaves                                                  and the waters of the fountain.’

the wind left. And I wept. And I said to myself:                                                                          ‘What have you done with the garden that was entrusted to you?’

– Antonio Machado

Born in Seville, the young Antonio moved with his family to Madrid in 1883 where he and his brother, Manuel, joined the Free Educational Institution. This was where Antonio discovered his passion for literature. At the age of seventeen, he lost his father and took on a series of jobs including acting. At the dawning of the new century, he joined his brother in Paris. Manuel already had gained employment as a translator. In Paris, Antonio encountered Jean Moréas and Paul Fort and other contemporary figures in the literary world including Oscar Wilde. Such connections supported his decision that he too would be a poet.Antonio’s first poems were published in a literary journal, Electra, in 1901 and followed two years later by his first collection in 1903, Soledades. A second edition was published in 1907.

Antonio was offered a teaching position, French, in Soria and there he met Leonor Izquierdo Cuevas. He married Miss Cuevas in 1909 when he was 34 years old and the young lady was fifteen. Three years later they returned to Paris. Unfortunately, Leonor developed tuberculosis and returned to Spain where she died on 1 August, 1912. Antonio was devastated by his loss and shortly after the publication of Campos de Castilla, he left Soria for good. His next home was in Baeza, in Andalusia. He published a new edition of Campos de Castilla in 1916 in which he included poems on the death of his wife.

Machado taught French in Segovia from 1919 to 1931 and this allowed him to live closer to his brother who was in Madrid. The closeness allowed them to collaborate writing a number of successful plays. Antonio also enjoyed a romance with Pilar Valderrama, a married woman who he later writes of in later poems using the name, Guiomar.

While still in Segovia, he declares the Republic using the Republican flag which he raises on the town’s hall to the accompaniment of the French National Anthem, La Marseillaise.  His philosophical leanings and moral declarations become increasingly clear in a series he published on the eve of the Spanish Civil War using the pseudonyms, Able Martin and Juan de Mairena. Machado was in Madrid when the war broke out and he was separated from his brother, a separation that would last for the rest of their lives.

His writing continued but made clear his sympathies were with the Republican Party. Machado, brothers José, Joaquim and their mother, were evacuated to Valencia then later to Barcelona.When the Second Spanish Republic fell, they were forced to escape into France where they found themselves in Collioure. He died on 22 February, 1939. He was buried there in Collioure. His mother died shortly after and is also buried nearby.  

If this is your introduction to Antonio Machado, I do hope you will explore his work and enjoy it as much as I have enjoyed sharing it with you.

 

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Bisous,

 

Léa

 

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SAMEERAH AL BSHARAH: “Between Light and Shadows” Part II

Like part one, this was originally posted in 2015. However, I felt it well worth the repeat and there will be a few other, older, repeats in the next few weeks. A dear friend arrives from California on Thursday and I believe there will be some travel involved which should result in some interesting posts around mid November. Thanks for your continued support.

 

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Mort de l’accouchement

 

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Transformations humaines
The artist (R) and her daughter (L)
The artist (R) and her daughter (L)
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Even the children are interested in the artist and her work

 

Olive grove where we parked
Olive grove where we parked
Entrance to the gallery/Tasting room
Entrance to the gallery/Tasting room

 

Vineyards surrounding the olive groves
Vineyards surrounding the olive groves
Back on the road and heading home
Back on the road and heading home

 

Bisous,

Léa

Sameerah Al Bsharah: “Between light and shadows” the artist in exile – Part I

“Exile of Syria,” chiaroscuro of SAMEERAH AL BSHARAH

“BETWEEN LIGHT AND SHADOWS”

Sameerah Al Bsharah
Sameerah Al Bsharah

A short biography:
Sameerah Al Bsharah, Allama, was born on 1 January 1952 in Sweida (Syria). Graduated from the Academy of Fine Arts in Baghdad in 1977, she taught art education at the University of Damascus. Member of the Brotherhood of Syrian artists painters, Sameerah Al Bsharah has several exhibitions to her credit including the Syrian city of Latakia where she participated in the famous Biennale.

Living in Deraa, the family fled the conflict in 2012 and took refuge in Jordan, then in France in November 2014. Hosted by the Centre for Asylum Seekers Home (CADA) of Béziers, the family has obtained the status a refugee.

Sadly, I have no website or even email address to recommend to you and would suggest contacting CADA of Béziers for further information on the artist and her work.

 

Damas
Damas

 

Violence
Violence

The setting for this exhibit is Domain Langel just outside the village of Artisan. This tranquil setting surrounded by olive orchards and vineyards with honey coloured stone buildings waits to embrace the work of the artist as she translates through her paintings the torments of a country in turmoil.

While domain Langel continues their production of olive oil they also have set a goal of cultivating environmental education and cultural activities.

Veto
Veto
Des enfants de la Syrie
Des enfants de la Syrie
Upper: Transformations humaines / Lower: Des syriens a l'hopital
Upper: Transformations humaines / Lower: Des syriens  a  l’hopital

Over tea on the cold tiles of the kitchen, she carried her paintings and comments on: this is called <moustachfa> (<hospital> in Arabic) and reflects the expressions, the intermingling of bodies that may be encountered in Syrian hospitals overwhelmed by the influx of victims of war.

On another painting, three fish with sharp teeth represent that powerful attack of frightened people. Sameerah denounced the veto in the UN Security Council that would prevent international intervention and let the Syrian people defenseless. A composition black and white leaves perceive injuries, body and spirit.

L: Une mere et sa fille R: Femmes Lower: Le jeu des sectarismes
L: Une mere et sa fille R: Femmes Lower: Le jeu des sectarismes
Casque militaire
Casque militaire
Ca suffit
Ca suffit
Le bien et le mal
Le bien et le mal
Transformations humaines
Transformations humaines
Triptyque du plateau de Hauran Région de Syrie méridionale, très fertile.
Triptyque du plateau de Hauban
Région de Syrie méridionale, très fertile.

Alongside these poignant testimonies of the Syrian conflict, other paintings pay tribute to Syrian beauty: lush scenery, smiling women and tranquility.

The paintings  that Sameerah presents were dismantled from their frames before departure. Many stayed in Syria or Jordan; it was impossible to take everything into exile.

Pause
La chaise
Pause
Pause
La fin de Pharaon
La fin de Pharaon
Une femme et un miroir
Une femme et un miroir

Due to factors beyond my control, the photos I offer are poor representatives of the work on offer. There is much more to add and therefore, this will serve as part one of an amazing exposition.

PLEASE DO NOT FORGET TO CLICK ON THE PHOTOS FOR A BETTER VIEW.

Bisous,

Léa

 

L’ART CACHÉ PART III

In the past, a three post series has been made to share the art from this excellent annual exposition of hidden art. I do not see how I can possibly limit myself that harshly this year and so I hope that some of you will bear with me. One thing for sure, you never know where in Albas you will turn a corner and find some art you will never forget. It will inspire you, and get those creative juices flowing.

Claude Espada is a local artist and lives in a most charming village on the edge of the Mediterranean. I’ve no doubt that is where much of her inspiration lies… You can contact her at padou1946@gmail.com or search for her on Facebook. Alas, I am not on Facebook so I cannot provide the link.

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Geneviève Gourvil

For additional information on mme. Gourvil, please see her website. While it is in French, a click of a button will translate it for you. http://gourvilgenevieve.com/

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Daniel Cordonnier takes his photograpy to some fascinating levels. His mission, to make the invisible, visible. Please check out Daniel’s website for much more art and information: http://www.danielcordonnier.com  You can also find him on Facebook.

 

 

 

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This is the third post in this series. For me it is a delight to return to the charming little village of Albas for this expo each year. I do hope to attend both days next year as there is never enough time to really appreciate it all and a chance to meet the artist. I never photograph without the artist’s permission and they must be available for that. Please do visit the Eurocultures site as there is more than I can possibly accommodate here. There are a number of photos left from the exposition and I shall endeavor to create one more post in this series. 

For additional information, to communicate with the sponsors of this and many other events, please contact Eurocultures en Corbières: https://eurocultures.fr/ or  https://www.facebook.com/eurocultures/

Bisous,

Léa

 

 

 

L’Art Caché II – 2017

As one who lives to write, I appreciated this next artist immensely. Isabelle tells stories with bits of rock, pebble and other bits. I was thrilled when she walked me about her mosaics and sharing their tale. It was a visceral experience and you could feel the different tableau’s secrets.

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The daughter and the distant mother

 

Isabelle Delacampagne’s work is not limited to the mosaics you will see here. Yet this story was so compelling and the work so evocative, I prefer to stick with the tale. The story is of the all too short life of the young girl in the red dress, her parents and her journey. The entire set is on the website delacampagne.com. Her email is: isa@delacampagne.com and there is much more there than was even on exhibit. She is absolutely on the list of the artists whose atelier/workshop/gallery I should love to visit and do an exclusive post on. 

 

 

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The cruel father

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The artist with the final mosaic in the story.

There are many more mosaics to the story and other pieces that space here does not allow me to share. I do hope you will visit her site. 

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Artist Marie-Jose Maleville

You can visit Marie-Jose’s site at http://mjmaleville.com 

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Erick Fourrier sculpts with wood and plastic. It was fascinating to watch him at work. That is not an opportunity one has often. His website includes a link to a video of the artist on youtube, erickfourrier.fr

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Erick Fourrier, the artist at work                                                                                                                                                                                                                                                                                                                

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There is much more to see on the website so I do hope you will check it out.

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As you may notice, the old barn where monsieur Fourrier’s work is exhibited, was at one time utilized making wine. Wine making is the major industry in this region and though it may take second place to sheep in Albas, it still is part of the lives of most of the residents.

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Perhaps some of you don’t feel the last two photos are relevant to the art featured here. You may be right but I feel that the setting is very much a part of an exhibit of Hidden Art.

There are still quite a number of photos to share and artists to exhibit. I do hope that you will return for more Hidden Art. I should also like to send big kudos to Eurocultures for allowing me to continue to bring this art and these artist to you. Please check out their site:  https://eurocultures.fr/evenements/lart-cache-3/

 

Bisous,

Léa

L’art caché I – 2017

The lovely village of Albas (population: 77) once again invites us to indulge ourselves in an enchanted exposition of Art. This is the fifth year that I have had this wonderful opportunity and each year I look forward to the coming event.  A number of the artists exhibiting are not local. One that I spoke to came from Brittany. Yet the generous locals make their gardens, barns and other such areas available for the exhibits.  The name of the event, translated, is Hidden Art and it could not be more appropriate. Upon arrival you are given a map of the village and numbers on different sites which correspond with the names of artists at the bottom of the page. However, unless you have been here at least once or twice there is no telling the wonderful surprises that await you. Also there are always different participants. 

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Bienvenue!

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To the left of the above sign is a small door into a barn and our first exhibit of this expo. The artist, Michel Alquier. 

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Les deux femmes
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Michel Alquier

Please visit Michel on his website michelalquier.free.fr it is in French but translates easily. You can email him at michelalquier@free.fr and I have no doubt he would love to hear from you.

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Bertrand Claverie

As I am often early for most things, especially this expo, there is a good chance of catching some of the artists still at work setting up. That is the case here with monsieur Claverie. You can see more of his work at bertrandclaverie.com or write to him at claverie.bertrand@wanadoo.fr 

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One does work up a thirst at such events and provisions had been made. Each year I have attended a different person has opened up a small area adjacent to their home for the serving of coffee and pastry. 

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The pastry on offer this year were German Fruit Crumbles. I did observe a few to be devoured so early in the day. The small garden was lovely and perhaps a photo will help you decide? 

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There is always so much to see so there is little time to loiter over coffee. One of the things that took me by surprise the first time I attended this Expo was the level and quality of whimsical art.  We are now in the space occupied by Edith Brehaux and what a delight it is. Please check out her website: https://terrarigaud.jimdo.com  You will find that it translates to English at the click of a button. You can write to her directly at brehauxedith@orange.frDSCN3659

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When possible, I have included the artist in my photos. Alas, there is so much to choose from… I do hope you will take that step and look at the websites of those you enjoy the most and perhaps others as well? 

I shall begin working on Part II as we have only begun. I do hope you will join me for the rest of this series and perhaps beyond?

Bisous,

Léa